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Washing Day

by Adam Levy

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1.
Washing Day (free) 04:33
Walking past my lover's house Bitter taste, it fills my mouth Too much whiskey, too much smoke Last night's tears hang on my coat Now the rain has stopped its fall Street shines like a mirror ball Sun comes on, it's just enough Watch the flowers waking up It's washing day, it's washing day Colors run and fade away Big machines all in a row A mother with her child in tow Change old paper for silver coin And lose myself in all this noise Waking from a peaceful rest Counting down, a minute left Cotton stops its jog in place Hold it warm against my face It's washing day, it's washing day Colors run and fade away It's washing day, it's washing day Feel the threads like new again What's this in my dungarees? In my back pocket, curled and creased My old notebook filled with you Our secrets now just streaks of blue It's all a mess, but beautiful The emptiness a gift to hold Write a poem with you in mind And leave the memory behind It's washing day, it's washing day Colors run and fade away It's washing day, it's washing day Feel the threads like new again
2.
A promise is a deal that lovers make It’s sealed with spit and sweat and a secret handshake Don’t need a witness or a dotted line This is my last payphone call I can promise you that With a pocket full of coins Yeah, we both got that routine down pat I’m gonna ring you up at home Whenever I feel it Let’s spend some time just talking Why should we have to steal it This is my last payphone call I can promise you that I won’t sneak through your back door anymore I can promise you that ‘Cause I got my pride, you know I wanna step across the welcome mat Yeah, I’m gonna walk tall When I come around No more tip-toe up the stairs Without a sound I won’t sneak through your back door anymore I can promise you that I won’t keep my hands to myself I can promise you that Gonna feel my way around Get to know what I been looking at ‘Cause touch is the sense That we’ve been m And I won’t stop there No, I won’t stop at kissing When you take my love at last I can promise you that This is my last payphone call This is my last payphone call This is my last payphone call I can promise you that
3.
I can't stop myself from calling Calling out your name I can't stop myself from falling Falling back again In the morning Baby, in the afternoon Dark like the shady corners Inside a violin Hot like to burn my lips I know I can't win In the morning Baby, in the afternoon I tried to quit you but I'm too weak Wakin' up without you I can hardly speak at all My girlfriend tried to help me To get you off my mind She tried a little tea and sympathy To get me to unwind In the morning Baby, in the afternoon Funny how my favorite shirt Smells more like you than me Bitter traces left behind Stains no one can see In the morning Baby, in the afternoon You're gonna put me in an early grave I know I'm your slave whenever you call I can't stop myself from calling Calling out your name I can't stop myself from falling Falling back again In the morning
4.
I put a spell on you From which you won't recover If you even think about Taking on another lover A fighter I was born And no-one fights to lose I'll use weapons of the spirit To put a spell on you Spanish moss and angel wings And a lock of your hair I light a crimson candle And say a midnight prayer I put a spell on you And watched it fade from black to blue At least I had what I wanted For a moment or two I put a spell on you
5.
Driving high, driving low Where will I go tonight Frozen time, frozen mind Traffic passing by, I hear your laughter Wash my hands of our sin Still your fragrance on my skin You grow and grow, so slow I’m lost inside of me Breathe with me Breathe with me Breathe with me And let me go my way Giving up, giving in It’s not that easy now Memory, broken free How the light shines through your face Wash my hands of our sin Still your fragrance on my skin You grow and grow, so slow Lost inside of me Breathe with me Breathe with me Breathe with me And let me go my way
6.
Friday never turned to Saturday Maybe all the clocks have lost their way Spinning round in circles, every which way Woke up thinking I would find you there Spoke up—echoes in the empty air Talking never got us anywhere anyway Listening for the sound of your footsteps All that I’m hoping to hear Ticking like a wound-up time-bomb ’til you appear This must be the longest day of the year Shadows crawl across the kitchen floor Bottles—pour myself a little more Wonder, baby, if you just won’t come anyway Listening for the sound of your footsteps All that I’m hoping to hear Ticking like a wound-up time-bomb ’til you appear Listening for the sound of your footsteps All that I’m hoping to hear Ticking like a wound-up time-bomb ’til you appear This must be the longest day of the year This must be the longest day of the year This must be the longest day of the year
7.
8.
I shot her down at the airport door And people turned, but they never saw And they’ll never know just what I’ve seen ‘Cause the hammer fell and the click was clean They shot her too, blood draws them in They circled round, they shot again The final pose, it was obscene And the flashbulb popped, and the click was clean Cops arrive in a blaze And in the chaos, cannons raised, say “Move away, please move away!” Is this justice or a crime There’s no confusion in my mind She had to pay With just one round I shot her down The truth be told: I’ve saved the world She was no child, nobody’s girl No human heart, no angel’s breath No soul in life, no peace in death Cops arrive in a blaze And in the chaos, cannons raised, say “Move away, please move away!” Is this justice or a crime There’s no confusion in my mind She had to pay With just one round I shot her down By the airport door, they come and go They read the news I shot her down
I shot her down
I shot her down
I shot her down I shot her down at the airport door And people turned, but they never saw And they’ll never know just what I’ve seen ‘Cause the hammer fell and the click was clean They shot her too, blood draws them in They circled round, they shot again The final pose, it was obscene And the flashbulb popped, and the click was clean Cops arrive in a blaze And in the chaos, cannons raised, say “Move away, please move away!” Is this justice or a crime There’s no confusion in my mind She had to pay With just one round I shot her down The truth be told: I’ve saved the world She was no child, nobody’s girl No human heart, no angel’s breath No soul in life, no peace in death Cops arrive in a blaze And in the chaos, cannons raised, say “Move away, please move away!” Is this justice or a crime There’s no confusion in my mind She had to pay With just one round I shot her down At the airport door, they come and go They read the news I shot her down I shot her down I shot her down I shot her down I shot her down I shot her down
9.
Unspoken 04:35
When the wind blows through my window I just want to hide ‘Cause I feel you on my skin And I’m of this storm inside Unspoken, the truth hurts too much We both know what could follow one touch The one sin etched stone Could make you a stranger in your own home It’s so hard to mend what’s easily broken Unspoken I can hear you when the wind blows The whisper of a secret unkept I can picture your window And it shatters inside my chest Unspoken, the truth hurts too much We both know what could follow one touch The one sin etched stone Could make you a stranger in your own home It’s so hard to mend what’s easily broken Unspoken Slow dancing between wrong and right Out here on the edge of the night Unspoken, the truth hurts too much We both know what could follow one touch The one sin etched stone Could make you a stranger in your own home It’s so hard to mend what’s easily broken Unspoken Unspoken Unspoken
10.
When the honeymoon ends And the pink clouds dissolve The ice covers over over the love and the soul Where can we find refuge, where can we find escape When the party is over, the party is over When the party is over, how much more can we take When the carnival ends And the colored lights fade There's a sense of not knowing if we should be disgraced Like a wave on the ocean, we can break on the rocks When the party is over, the party is over When the party is over and the pressure just drops When the champagne is gone And the curtains are closed There's silence between us, defenses exposed We've come such a long way to be coiled like a spring When the party is over, the party is over When the party is over, we can bounce back again So let the lights fade and send the band home The music plays on in my heart Raise up your glass, here's to the laughs Play on, play on When the dancing is done Do you clear up or sleep Where confetti has fallen on the floor round your feet The flowers and favors are wilted and torn When the party is over, the party is over When the party is over life just carries on When the party is over, the party is over When the party is over life just carries on
11.
I've been sleeping on needles and pins Feel like a stranger in my own skin Oh—I never, never been alone like this Maybe I should put the radio on But I fall to pieces when they play that song Oh—I never, never been alone like this No—I never, never been alone like this Crying doesn't do me any good Just a shadow where my baby stood Flip through the pages of my little black book Nothing but strangers wherever I look Oh—I never, never been alone like this No—I never, never been alone like this No—I never, never been alone like this

about

Praise for Washing Day...

"In a cow-punk ode titled 'I Shot Her Down,' he commits murder. Pain oozes from Levy’s craggy tenor tones, which he answers with blistering shards of guitar sound.” —San Francisco Chronicle

"When Levy slows down the pace on his spare, melancholic romantic laments 'Unspoken' and 'Longest Day of the Year,' he suggest the craftsmanship of a Freedy Johnston. Levy's lyrical skills really shine on the evocatively rendered title track." —All Music Guide

"Even the thorniest jazzbo snobs can recognize Levy’s potential to pen material for the next Great American Songbook." —Offbeat magazine

credits

released August 14, 2007

vocal & guitars: Adam Levy
Fender bass: Andy Hess
drums: Tony Mason
guest vocal: Jen Clapp
guest vocal: Geoff Martyn
production & various instruments: Marvin Etzioni
recording & mixing: John Sicket
mastering: George Marino

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about

Adam Levy New York, New York

Adam Levy is an NYC-based guitarist with 30 years of experience as a performing artist, studio musician, journalist, and educator.

He has released more than a dozen albums of his own, and is featured on recordings by Norah Jones, Vulfpeck, Ani DiFranco, Allen Toussaint, and other renowned artists. He has toured extensively as a solo artist and as a collaborator.
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